Collier Schorr & Mark Bradford in Los Angeles

Collier Schorr, “152lbs. (H.T.)”, 2003. Chromogenic color print. Collection of Alan Hergott and Curt Shepard, Los Angeles. Copyright Collier Schorr. Courtesy of the artist and 303 Gallery, New York.

On October 10, the Los Angeles County Museum of Art will host a public conversation between Collier Schorr (Season 2) and curator Christopher Bedford in conjunction with the exhibition Contemporary Projects 11: Hard Targets-Masculinity and Sport. The public program begins at 7pm.

The premise of the exhibition, which opens on October 9, is artists who revise the archetype of the male athlete as an aggressive, overtly heterosexual, hyper-competitive, and emotionally remote subject. Hard Targets includes works by Schorr, Mark Bradford (Season 4), Harun Farocki, Brian Jungen, Shaun Leonardo, and Joe Sola. ”Each examines the way masculinity is characterized and performed in a sporting context, and each suggests the existence of complex systems of desire and identification that accompany the way we view and consume athletes and sporting events.”

Bradford’s 2003 video Practice is included in the exhibition. In 2006, an article in LA Times Magazine quoted Bradford:

Practice was a personal piece. At its core it was about negotiation and desire. I set up a proposition, a metaphor, in which I really simply wanted to play basketball. That’s it. But I had constructed this huge structure that was going to encumber me. I couldn’t control it, and doing what I wanted to do was a struggle. In some ways, that’s sort of how my life can be. I also knew that by taking the Lakers uniform and making it into a dress, that’s iconoclastic. I’m always interested in dismantling or questioning our icons. I want to make them problematic, awkward and uncomfortable.”

Watch a clip from Bradford’s Art:21 segment in which he discusses Practice:

Hard Targets is on view through January 18, 2009.

Contributor
Nicole J. Caruth is digital content editor at Art21. She has been a regular contributor to this site since 2008, mostly writing about the intersection of art and food for her column "Gastro-Vision." Her writing has also appeared in ARTnews, Big Red & Shiny, C Magazine, Gastronomica, Nka: Journal of Contemporary African Art, Public Art Review, and the Phaidon Press books Vitamin Green and Vitamin D2.

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