Beryl Korot: “Dachau, 1974″

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Episode #107: Beryl Korot narrates the process of creating one of the first multi-channel works of video art — Dachau, 1974 — a haunting document of tourists visiting the notorious Nazi concentration camp.

An early video-art pioneer and an internationally exhibited artist, Beryl Korot’s multiple-channel (and multiple-monitor) video installation works explored the relationship between programming tools as diverse as the technology of the loom and multiple-channel video. For most of the 1980s, Korot concentrated on a series of paintings that were based on a language she created that was an analogue to the Latin alphabet. Drawing on her earlier interest in weaving and video as related technologies, she made most of these paintings on hand-woven and traditional linen canvas. More recently, she has collaborated with her husband, the composer Steve Reich, on Three Tales, a documentary digital video opera in three acts that explores the way technology creates and frames our experience.

The exhibition Beryl Korot: Text/Weave/Line—Video, 1977-2010 opens at the Aldrich Contemporary Art Museum on June 27th. The exhibition presents her latest body of work as well as the 5 channel weaving/video installation Text and Commentary which premiered at the Leo Castelli Gallery in 1977.

Beryl Korot created the opening segment, featuring actress S. Epatha Merkerson, in the Season 1 (2001) episode Spirituality of the Art:21—Art in the Twenty-First Century television series on PBS. Watch the full episode online at PBS Video and Hulu, or purchase it for download from iTunes.

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Wesley Miller. Camera & Sound: Nick Ravich. Editor: Joaquin Perez. Artwork Courtesy: Beryl Korot.

Contributor
Wesley Miller is the Associate Curator at Art21. Miller co-curates the Art in the Twenty-First Century television series. He is also co-creator of the series New York Close Up.
  1. DovBer Marchette says:

    Ms Korot misses the point. With out the past, Dachau would not exist.

    Reply

  2. Pingback: On View Now | Mind the Gap: Thoughts on Representing the Holocaust through Comics | Art21 Blog

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