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	<title>Comments on: No Preservatives &#124; Looking at LARGE SCALE; A Conversation with Jonathan Lippincott</title>
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	<link>http://blog.art21.org/2011/03/15/no-preservatives-looking-at-large-scale-a-conversation-with-jonathan-lippincott/</link>
	<description>The Official Blog of Art21, Inc. and the &#60;i&#62;Art in the Twenty-First Century&#60;/i&#62; PBS series</description>
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		<title>By: Visual Arts Briefs &#187; Blog Archive &#187; Public Art, Modern Icons</title>
		<link>http://blog.art21.org/2011/03/15/no-preservatives-looking-at-large-scale-a-conversation-with-jonathan-lippincott/comment-page-1/#comment-30433</link>
		<dc:creator>Visual Arts Briefs &#187; Blog Archive &#187; Public Art, Modern Icons</dc:creator>
		<pubDate>Thu, 21 Apr 2011 18:26:54 +0000</pubDate>
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		<description><![CDATA[[...] Looking back on the era in an interview with art conservator Richard McCoy, Lippincott says, “It was always so strange to me when I would read certain art books about artists who had worked with my father, and the fabrication process was barely mentioned. They would talk about how an artist came up with an idea for a work and then say quite simply, ‘and then it was sent to a fabricator.’ But we know that there was a lot that happened after the artist came up with the idea, and that the artist was involved in that fabrication process as well.” Read the full interview on the art:21 blog here. [...]]]></description>
		<content:encoded><![CDATA[<p>[...] Looking back on the era in an interview with art conservator Richard McCoy, Lippincott says, “It was always so strange to me when I would read certain art books about artists who had worked with my father, and the fabrication process was barely mentioned. They would talk about how an artist came up with an idea for a work and then say quite simply, ‘and then it was sent to a fabricator.’ But we know that there was a lot that happened after the artist came up with the idea, and that the artist was involved in that fabrication process as well.” Read the full interview on the art:21 blog here. [...]</p>
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		<title>By: Michael Grant</title>
		<link>http://blog.art21.org/2011/03/15/no-preservatives-looking-at-large-scale-a-conversation-with-jonathan-lippincott/comment-page-1/#comment-30406</link>
		<dc:creator>Michael Grant</dc:creator>
		<pubDate>Tue, 19 Apr 2011 16:25:34 +0000</pubDate>
		<guid isPermaLink="false">http://blog.art21.org/?p=37485#comment-30406</guid>
		<description><![CDATA[Lippincott is giving a free talk at the School of Visual Arts in New York City on Thursday, April 28, 6:30pm. Details via this link:

http://www.schoolofvisualarts.edu/events/index.jsp?sid0=70&amp;page_id=181&amp;content_id=3720]]></description>
		<content:encoded><![CDATA[<p>Lippincott is giving a free talk at the School of Visual Arts in New York City on Thursday, April 28, 6:30pm. Details via this link:</p>
<p><a href="http://www.schoolofvisualarts.edu/events/index.jsp?sid0=70&#038;page_id=181&#038;content_id=3720" rel="nofollow">http://www.schoolofvisualarts.edu/events/index.jsp?sid0=70&#038;page_id=181&#038;content_id=3720</a></p>
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		<title>By: The Life and Ages of Robert Indiana’s “Numbers” from Cradle to Repaint &#124; Indianapolis Museum of Art Blog</title>
		<link>http://blog.art21.org/2011/03/15/no-preservatives-looking-at-large-scale-a-conversation-with-jonathan-lippincott/comment-page-1/#comment-30269</link>
		<dc:creator>The Life and Ages of Robert Indiana’s “Numbers” from Cradle to Repaint &#124; Indianapolis Museum of Art Blog</dc:creator>
		<pubDate>Tue, 05 Apr 2011 18:08:09 +0000</pubDate>
		<guid isPermaLink="false">http://blog.art21.org/?p=37485#comment-30269</guid>
		<description><![CDATA[[...] From 1980 to 1983, Indiana fabricated each of the eight-foot-tall aluminum sculptures at Lippincott, Inc. in North Haven, CT.  In addition to fabricating Indiana’s first LOVE sculpture, which is so prominently displayed at the IMA, Lippincott fabricated important works for Ellsworth Kelly, Louise Nevelson, Barnett Newman, and Claes Oldenburg. (A well-illustrated monograph, Large Scale, was published in 2010 about the early years at Lippincott—I recently interviewed the author over on the Art21 Blog.) [...]]]></description>
		<content:encoded><![CDATA[<p>[...] From 1980 to 1983, Indiana fabricated each of the eight-foot-tall aluminum sculptures at Lippincott, Inc. in North Haven, CT.  In addition to fabricating Indiana’s first LOVE sculpture, which is so prominently displayed at the IMA, Lippincott fabricated important works for Ellsworth Kelly, Louise Nevelson, Barnett Newman, and Claes Oldenburg. (A well-illustrated monograph, Large Scale, was published in 2010 about the early years at Lippincott—I recently interviewed the author over on the Art21 Blog.) [...]</p>
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