Comments on: “Why would anyone listen to a derivatives lawyer talk about contemporary art?”

By: Discrete Non-Visible Objects | Anne Percoco

Discrete Non-Visible Objects | Anne Percoco — Fri, 19 Oct 2012 17:15:57 +0000

[...] between the monetizing of social art and the immaterial products sold on our financial markets. Via Art21 interview by Brendan Carroll Social art works — performances, interventions and other activities that involve people [...]

By: Kianga Ellis (@Ms_Kianga)

Kianga Ellis (@Ms_Kianga) — Tue, 02 Oct 2012 21:06:30 +0000

Thanks for your comment Nettrice! I really wanted to attend ISEA in NM this year. I also follow am really excited about crowdsourcing models, “citizen philanthropy”, etc.

By: Why would anyone listen to a derivatives lawyer talk about contemporary art? « HE SAID SHE SAID

Tue, 02 Oct 2012 13:40:12 +0000

[...] would anyone listen to a derivatives lawyer talk about contemporary art blog.art21.org/2012/10/02/why… @Ms_Kianga @bespokecurator [...]

By: Nettrice Gaskins

Nettrice Gaskins — Tue, 02 Oct 2012 13:38:11 +0000

Regarding the new dynamic within the art market based on Internet platform(s) I attended a panel at ISEA2012 that presented crowdsourcing models of microfinance and production based recent innovations and more traditional models. Stephanie Pereira of Kickstarter spoke about the growth of crowdsourced funding for art projects. These newer models allow for different types of investors, funding across the production pipeline and with lower risks in investment for artists and supporters. It’s interesting seeing all the new paradigms that are emerging.