Weekly Roundup

Alfredo Jaar. "The Geometry of Conscience," (2010). Courtesy of the artist and the Museum of Memory and Human Rights.

Alfredo Jaar. “The Geometry of Conscience,” (2010). Courtesy of the artist and the Museum of Memory and Human Rights.

In this week’s roundup, Alfredo Jaar reconnects the dots of a collective memory, Cindy Sherman presents early work, El Anatsui showcases his pot of wisdom, and more.

  • Alfredo Jaar created a memorial for the victims of the 17 years long Pinochet military rule and dictatorship. The Geometry of Conscience is installed in a plaza next to the Museum of Memory and Human Rights (Santiago, Chile). The installation offers an intimate opportunity for Chileans to unearth history and reconnect the dots of a still half-buried collective memory. Located underground, the exhibit is a silent three minute experience that can only be shared by ten people at once.
  • Cindy Sherman: Early Works will be unveiled at the Gucci Museo (Florence, Italy). Following her graduation in 1976 Cindy Sherman, together with a group of artists, created works and organized numerous exhibitions. The show includes three bodies of work, Murder Mystery (1976), Bus Riders (1976) and Doll Clothes (1975), from these early years. The exhibition runs from January 10 until June 9, 2013.
  • El Anatsui‘s third solo exhibition in a NYC gallery is on view at the Jack Shainman Gallery. Pot of Wisdom showcases the artist’s continued use of found metals and copper wire. This body of work explores new formal approaches to color, composition and line. The show closes January 19, 2013.
  • El Anatsui‘s first solo exhibition at the Brooklyn Museum will feature over 30 works in metal and wood that transform appropriated objects into site-specific sculptures. Gravity and Grace: Monumental Works by El Anatsui includes twelve recent monumental wall and floor sculptures, widely considered to represent the apex of the artist’s career. The exhibition will run February 8 – August 4, 2013.
  • Bruce Nauman, Mark Bradford, and Jenny Holzer present works as part of the Tenth Anniversary Acquisitions exhibition at the Modern Art Museum of Fort Worth (Texas). Kingdom Day (2010) by Bradford consists of four 10-by-10-foot canvases, as an homage to the Kingdom Day Parade in Los Angeles. Studio Mix (2010), a new video and sound installation by Nauman, is inspired by a set of finger exercises that the composer Béla Bartók wrote for children learning the piano. Holzer’s signature, kinesthetic light-emitting diode (LED) signs deliver texts in ‘Ando blue.’ These works are on view through August 18, 2013.

Contributor
Nettrice Gaskins is an artist, educator, and member of the vibrant community of practitioner/theorists in the Digital Media PhD program at Georgia Tech. Gaskins compiles Art21's "Weekly Roundup."

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