Laurie Simmons explores Japanese cosplay, Sarah Sze celebrates a new publication, Kerry James Marshall receives an award, and more.
In today’s Exclusive, filmed in 2013, Ellen Gallagher discusses the paper cutouts that she’s embedded into paintings throughout her career.
In a new previously unpublished interview Florian Maier-Aichen discusses his beginnings as an artist, the evolution of his hybrid practice, and more.
Keltie Ferris’s paintings travel to California, Josephine Halvorson depicts her Massachusetts surroundings, Ann Hamilton’s work is archived in Ohio,…
Columnist Jessica Lott travels to Barcelona and observes “Making Neighborhoods,” a multidisciplinary project with the city’s African immigrant population.
“I think that misinterpretation and mistranslation are essential contemporary experiences…I feel that the artist doesn’t really give answers.”
David Altmejd’s builds a new complex, Mark Dion explores ocean debris, Jessica Stockholder speaks in Chicago, and more in this week’s roundup.
In today’s Exclusive, filmed in 2004, Fred Wilson discusses how beauty and ugliness together create meaning.
Alinka Echeverría presents never-before-seen photographs from her recent visit to South Africa.
“Word is a Virus” columnist Carol Cheh looks at two recent performance projects that involved retyping iconic works of literature on typewriters.
“Copy That!” columnist Joy Garnett considers a recent lawsuit involving the painter Sarah Morris and a group of origami artists.
New in New York Close Up, artist Mary Mattingly constructs and occupies “Triple Island” (2013), an outdoor sculpture overlooking the East River.
Sally Frater reflects on The Black Letter, a project by “The N***** Bankzy.”
Mel Chin explores lead contamination, Kara Walker examines power and race in Belfast, Hiroshi Sugimoto designs the ideal museum, and more.
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