Weekly Roundup

Barbara Kruger, Untitled (Hello/Goodbye)," 2014; digital print on vinyl; Hammer Museum  installation. Courtesy the artist and Hammer Museum, Los Angeles, CA.

Barbara Kruger, Untitled (Hello/Goodbye),” 2014; digital print on vinyl; Hammer Museum installation. Courtesy the artist and Hammer Museum, Los Angeles, CA.

Barbara Kruger and Fred Wilson appropriate and critique, Alfredo Jaar and Krzysztof Wodiczko re-frame history, John Baldessari shares some of his favorite things, and more in this week’s roundup.

  • Alfredo Jaar and Krzysztof Wodiczko will have work on view in Re-Framing History, which opens March 21 at Galerie Lelong (Paris, France). Each artist in this group show “exemplifies a global awareness of history and the powerful responsibility of images in their individual practices.” Closes April 26.
  • Ai Weiwei will have an exhibition at Martin-Gropius Bau (Berlin, Germay). Evidence will feature several installations that, until now, have ever been shown in Germany. Runs April 3–July 30.
  • John Baldessari shared some of his favorite possessions with Christopher Ross of the Wall Street Journal. Baldessari’s list includes an etching by Francisco Goya, a SpongeBob drawing, and a yodeling pickle that he received from artist Damien Hirst.

Contributor
Nettrice Gaskins is an artist and educator who holds a Ph.D. in Digital Media. Gaskins compiles the Magazine's "Weekly Roundup" and occasionally contributes articles on afrofuturism.

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