Art21 and CUE Art Foundation, neighboring nonprofits in the Chelsea/Flatiron district of Manhattan, join forces on their programs for emerging writers.
Art21 Educator Jack Watson on teaching students to delay judgement, and the “balancing act” involved in evaluating art.
Hiroshi Sugimoto exhibits water-damaged photographs, Robert Mangold paints enclosed voids, Kara Walker dips her hands in sugar, and more in this week’s roundup.
New in New York Close Up, artist Jacolby Satterwhite works to finish his latest animation, “Reifying Desire 6” (2014), in time for the 2014 Whitney Biennial.
New York Close Up Co-Producer Wesley Miller to discuss the art market at the Queens Museum.
Yinka Shonibare MBE unveils a new sculpture in London, Vija Celmins exhibits bronze stones in Riga, Carrie Mae Weems hosts an all-star event in New York City, and more in this week’s roundup.
In this eclectic playlist, artist Pinar Yolaçan mixes funk carioca, Turkish percussion, Afrobeat, early American R&B, and more.
Writer-in-residence Elizabeth Devlin profiles Boston-based artist Pat Falco who made his museum debut in the 2013 deCordova Biennial.
In today’s Exclusive Glenn Ligon discusses inspiring texts and cultural events, such as the writings of James Baldwin and the Million Man March.
Guest contributor John Corso digs into the deeply playful works of Detroit-based artist Graem Whyte.
Columnist Joy Garnett offers a new spin on a common letter.
Ai Weiwei stars in a science fiction film, El Anatsui creates new work for the Royal Academy, LaToya Ruby Frazier and Mary Reid Kelley receive Guggenheim fellowships, and more in this week’s roundup.
Guest writer Jayna Swartzman-Brosky surveys the myriad ways that contemporary artists monetize their practice and negotiate the value of their labor.
Mika Tajima gets a solo show in New York, five Art21 artists exhibit at the Studio Museum in Harlem, Richard Tuttle explains how artists are like clouds, and more.
In today’s Exclusive, artist Gabriel Orozco conducts what he calls a “Mirror Crit,” during which he presents a student’s artwork as if it is his own.
Writer-in-residence Elizabeth Devlin shares her plans for the “Value” issue.
“Like economic value, an artwork’s meaning (its aesthetic value) is derived through a critical judgment that employs comparisons…”
Caroline Woolard’s collaborative project, BFAMFAPhD.com, “endeavors to unite artists in order to address the problems of their rising population” in the U.S.
With its Google bus wars, start-up fever, and rapid gentrification, San Francisco has become a touchstone in conversations about money. Where do art and creativity fit into the shaping of the city?
