Weekly Roundup

Charles Atlas, "Son of Sam and Delilah", 1991. Courtesy Electronic Arts Intermix (EAI), New York

Greek tragedy, cross dressing, cooking shows, needlework, rowdy teens, storytelling, nighttime walks, and a few mystery plays in this week’s roundup:

• Virtuoso Illusion: Cross Dressing and the New Media Avant-Garde at the MIT List Visual Arts Center explores how experimental art has been enlivened and advanced by artists who cross dress as part of their conceptual process. “The show is not intended,” according to MIT, “as an exploration of identity issues specifically, but more as an in depth look at current and historical strategies of cross dressing as an art of the irrational, the unexpected.” Artists include Charles Atlas, Matthew Barney (both Season 2), Claude Cahun, Harry Dodge and Stanya Kahn, Marcel Duchamp, Michelle Handelman, John Kelly, Katarzyna Kozyra, Kalup Linzy, Ma Liuming, Manon, Pierre Molinier, Yasumasa Morimura, Brian O’Doherty, Ryan Trecartin, and Andy Warhol. Atlas created video mock documentaries about the evolving twentieth-century performance avant-garde during the years he collaborated with Merce Cunningham. In Son of Sam and Delilah (1991), Atlas provides “a transporting view of a flock of gender indiscriminate performers.” Virtuoso Illusion, organized by guest curator Michael Rush, former director of the Rose Art Museum at Brandeis University, is on view through April 4.

• The highly anticipated exhibition Kiki Smith: Sojourn opens at the Brooklyn Museum this Friday. Smith (Season 2) draws on a variety of experiences in the cycle of life, from the milestones of birth and death to the daily chores of domestic life, with particular attention to the lives of women artists. An eighteenth-century silk needlework by a woman named Prudence Punderson that inspired Smith’s installation is on loan to the museum from the Connecticut Historical Society and included in the exhibition. Via the museum website: “Punderson’s stark depiction of a woman’s journey from childhood to death in the years leading up to and immediately after the United States gained its independence intrigued Smith because rather than following the stereotypical rites of passage in a woman’s life of the period…this young woman chose to depict a life of the mind for her subject, presenting a woman engaged in creative work.” Smith will install her work in the Elizabeth A. Sackler Center for Feminist Art as well as in two of the museum’s eighteenth-century period rooms. Sojourn closes September 12.

• Works by Laylah Ali (Season 3), Kara Walker (Season 2), Ghada Amer, Shary Boyle, Amy Cutler, Chitra Ganesh, Wangechi Mutu, Annie Pootoogook, Leesa Streifler, and Su-en Wong are on view at the Kitchener-Waterloo Art Gallery in Ontario, Canada. The exhibition, titled Pandora’s Box, offers a new twist on the myth of Pandora in which it is no longer about what is hidden inside of the box, but what is metaphorically reflected on the outside. Pandora’s Box continues through March 21.

• Through February 28, Tank.tv is showing two works by Season 5 artist Paul McCarthy: Family Tyranny and Cultural Soup. Both works — cut from two days of taped performance at a community television studio in 1987 — feature Season 1 artist Mike Kelley. Tank.tv calls the videos a “disturbing tableaux of familial horror, steeped in the stomach turning abjection” of McCarthy’s practice. Performed within a “barely credible domestic set,” the format and characters in the videos enact several tropes of television entertainment: the unruly teenager (Kelley), and the how-to format of cooking and DIY programs.

• Fifty photographs of nocturnal landscapes by Robert Adams (Season 4) are on view at Matthew Marks Gallery in the exhibition Summer Nights, Walking. These images of trees and houses, mountains and streets, fields and sidewalks captured between dusk and approaching dark were made between 1976-1982 near Adams’ home in Longmont, Colorado. Adams first showed photographs from this series in 1985. He recently said of editing his night pictures: “When I have looked again at the photographs that I might have chosen but did not, it has seemed to me that if I had included a wider variety, the result would have been, though less harmonious, more convincing, closer to our actual experience of wonder, anxiety and stillness.” This exhibition celebrates the publication of Summer Nights, Walking, co-published by Aperture and the Yale University Art Gallery, a revised and updated version of an earlier book. The exhibition continues through April 17.

• Delusion, a new work by Laurie Anderson (Season 1) will premiere at the Vancouver Playhouse Theatre Company, February 16-21. The piece is described as “a series of short mystery plays” populated by “nuns, elves, golems, rotting forests, ghost ships, archaeologists, dead relatives and unmanned tankers.” Delusion was commissioned by the Vancouver Organizing Committee for the 2010 Olympic and Paralympic Winter Games and The Barbican Centre in London. Tickets can be purchased here.

• The lecture series Critical Conversations at the Roski School of Fine Arts in Los Angeles features talks by visiting artists, curators, theorists, writers, and other cultural producers, who engage in open conversations with graduate students and attending members of the public. Season 4 artists Mark Dion and Mark Bradford will speak on February 23 and March 2, respectively.

• Season 5 artist William Kentridge will lecture at The Cooper Union in New York City tomorrow, February 9. The event begins at 8pm and is free and open to the public.

• BMW has announced that Season 5 artist Jeff Koons will design their 17th art car. Read more about the project here.

Art21 “Exclusive” Video, Year 2

What a year it’s been! We’re taking a look back at the 42 Exclusive videos that premiered here on the Art21 Blog, and subsequently on YouTube and iTunes. We hope you’ve enjoyed this new feature for 2009 and, as always, look forward to your comments.

What’s our New Year’s resolution? We’ll be premiering more behind-the-scenes moments with contemporary artists such as Beryl Korot, Shahzia Sikander, Allan McCollum, Julie Mehretu, Cao Fei, Florian Maier-Aichen, and many, many more. Check out what happened in year one.

Help Wanted

Plaster sculpture by Matthew Labrake, Nyack High School

Once in a while teachers are so amazed and proud of the work their students accomplish that they just have to share it, and I’m all about flying in that time zone this week. Two weeks ago, I wrote a column called The Same, But Different,  which discussed beginning a painting unit for the second year in a row that incorporates the theme of power with my Studio Art students. While we are well under way with forming some ideas for our paintings, I wanted to share a partial list of “powerful words”, “words we associate with power”, and “forms of power” that my Studio Art classes recently compiled. After a few partnered and small group conversations, here is a sample of what they discussed and came up with this past week:

Powerful Words: Outrageous, Wallin’, Loyalty, Perseverance, Death, Love, Hate, Faith, Pride, Terminal, Permanent, Never, Art, International, Soul, Law, Skyrocket, Boom!, Nuclear, Life, Morose, Wisdom, Cancer, Magic, Fight, Burn, Supernatural

(You can see why I’m smiling, right?)

Words We Associate with Power: Domination, Independence, Control, Strength, Bravery, Conquer, Mighty, Superiority, Confident, Intelligent, Love, Action, Wealth, Energy, Leadership, Stamina, Sexuality, Fear, Corruption, Time, Chaos

Forms of Power: One person over another; Family; Independence; Age; Manipulation; Karma; Terrorism; Co-dependence; Sexism, Rejection, Friendship, Love, Luck, Knowledge, Segregation, Censorship, Authority, Weapons, Sickness, Money, Addiction, Size

And these are just a few of the answers the students generated!

Now, here’s where the “help wanted” part comes in…..

While we discussed and viewed the work of Ida Applebroog, Cai Guo-Qiang, and Layla Ali last year, I’m looking for new artists to add to the mix. Inspired by a suggestion from my colleague Marc Mayer, I decided to share the brainstorming students have done and put the call out right here in the column: Looking at these lists so far, which artists would YOU suggest we incorporate in the new Painting About Power unit? Please share your ideas and comments!

Laylah Ali | Meaning

While painting in her Williamstown, Massachusetts studio, artist Laylah Ali discusses the imperative she feels to make things and the nuanced relationship of political and personal events to the work.

Laylah Ali creates gouache-on-paper paintings that take her many months to complete. Ali meticulously plots out in advance every aspect of her work, from subject matter to choice of color, achieving a high level of emotional tension in her paintings as a result of juxtaposing brightly colored scenes with dark, often violent subject matter.

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Tom Bergin. Editor: Mary Ann Toman. Artwork Courtesy: Laylah Ali.

Art21 Educator Joe Fusaro Teaching “Power” at Nyack High School

Embarrassing as it is, this is the first video I’ve ever made. I am immersed in the world of film production each day, yet focused on the Education side of Art21. It’s been a long journey to connect the two.

Where does an idea start? I don’t think it was just mine, but I was interested in some way to better articulate and share what was happening out there in the world when people actually saw and used Art21. How does one go about making a film of that moment when teachers, students, artists, and the casual viewer are confronted with artists talking about their work, the ideas behind it, and then attempt to DO something with that experience?

We needed a willing guinea pig for our first attempt to capture one of these stories. Joe Fusaro, Senior Education Advisor and weekly contributor to the Teaching with Contemporary Art Column, proved willing and more than able.

Joe told us about a unit he was teaching his 9th grade studio art classes at Nyack High School on the theme of Power. We jumped at the chance to be flies on the wall, with very large cameras and sound equipment. And it was not easy. We stumbled through interviews, and many of them. We awkwardly wrangled equipment while trying to remain unobtrusive and unintimidating. Room schedules were changed. Much paperwork was signed. We drove over the Tappan Zee Bridge countless times.

But the process was part of the journey and well worth the results. We are eternally grateful to Joe, his students, and his colleagues at Nyack High School for their patience, their generosity, and their continual support of this fledgling idea. We’ve gotten the production bug and we’re itching to make more. And on these next ones, we’ll be a little less nervous. We’ll keep it conversational. We’ll enjoy the process even more.

Laylah Ali | Television

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EXCLUSIVE: In her Williamstown, Massachusetts studio, artist Laylah Ali describes how the television cartoons she watched as a child inform the way she works and thinks today.

Laylah Ali creates gouache-on-paper paintings that take her many months to complete. Ali meticulously plots out in advance every aspect of her work, from subject matter to choice of color, achieving a high level of emotional tension in her paintings as a result of juxtaposing brightly colored scenes with dark, often violent subject matter.

Laylah Ali. "Untitled," 2004. Gouache on paper, 15 7/16 x 15 2/16 inches. Courtesy 303 Gallery, New York.

Laylah Ali is featured in the Season 3 (2005) episode Power of the Art:21—Art in the Twenty-First Century television series on PBS.

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Sollins. Camera: Joel Shapiro. Sound: Tom Bergin. Editor: Jenny Chiurco &ampl Mary Ann Toman. Artwork Courtesy: Laylah Ali

Weekly Roundup

• Krzysztof Wodiczko is the sole artist representing Poland at this summer’s Venice Biennale. The striking video installation of milky windows depicts the shadows of immigrant workers as they take on the daily tasks and routines of life, conversing in various languages. Above is a ScribeMedia video interview with the Season 3 artist.

• Elements of Photography opened this past weekend at the Museum of Contemporary Art, Chicago.  The exhibition focuses on two fundamental elements of nature inherent to the medium: light and water.  The “naturalists” in the show include artists Luisa Lambri, Walead Beshty, Adam Ekberg, Hiroshi Sugimoto (Season 3), and others.  Through October 4.

• The Stenersen Museum in Oslo opens an intriguing show this week that explores the many dimensions of gender-based violence. Off the Beaten Path: Violence, Women, and Art is curated by Randy Rosenberg of Art Works For Change.  Several of the 17 participating artists include Marina Abramovic, Laylah Ali (Season 3), Louise Bourgeois (Season 2), Icelandic Love Corporation, and Lucy Orta. Through August 9.

• Ongoing at LACMA is Classical Frieze, an exhibit of recent films and photographs by Eleanor Antin (Season 2).  The works on display mimic the ancient world by way of  19th-century neo-classical paintings. Through September 14th.

• White Noise opens this week at James Cohan Gallery. The group show features works that exist at the intersection of visual art, music and sound, exploring “how sound can obliterate as well as elevate; how silence can involve both absence and presence.” Some of the artists include Laurie Anderson (Season 1), Joseph Beuys, Martha Colburn, Rodney Graham, Chris Hanson and Hendrika Sonnenberg, Christian Marclay, and Raymond Pettibon (Season 2). June 18-August 12.

Laylah Ali | Designer Nicole Parente

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EXCLUSIVE: Artist Laylah Ali and graphic designer Nicole Parente work together in the designer’s home office in Cambridge, MA. The artist’s hand-drawn notes are transformed into precise digital illustrations otherwise impossible without a computer.

Laylah Ali creates gouache-on-paper paintings that take her many months to complete. Ali meticulously plots out in advance every aspect of her work, from subject matter to choice of color, achieving a high level of emotional tension in her paintings as a result of juxtaposing brightly colored scenes with dark, often violent subject matter. In style, her paintings resemble comic-book serials, but they also contain stylistic references to hieroglyphics and American folk-art traditions.

Laylah Ali is featured in the Season 3 (2005) episode Power of the Art:21—Art in the Twenty-First Century television series on PBS.

VIDEO | Producer: Wesley Miller & Nick Ravich. Interview: Susan Dowling. Camera & Sound: Ken Willinger and Bob Freeman. Editor: Jenny Chiurco. Artwork Courtesy: Laylah Ali. Special Thanks: Nicole Parente.

Weekly Roundup

Josiah McElheny, "Chromatic Modernism (Blue, Red, Yellow)," 2008. Courtesy Donald Young Gallery.

• The Art of Caring: A Look at Life through Photography opened this past weekend at the New Orleans Museum of Art.  The show is comprised of over 200 photographs covering seven thematic components: Children and Family, Love, Wellness, Disaster, Caregiving and Healing, Aging, and Remembering. Among the many artists are Tina Barney, Nan Goldin, Chester Higgins, Nicholas Nixon, and  Season 1’s Sally Mann and William Wegman.

• Also opening this past weekend at the Museu d’Art Contemporani de Barcelona is Time as Matter. The presentation of new acquisitions from the MACBA Collection covers the last fifty years in the history of art through installations, paintings, sculptures, photographs, collages, models, books, etc.  The show focuses on notions of time and life and play, and includes work from Franz Kline, Dieter Roth, Lawrence Weiner, Joan Jonas, Nancy Spero (Season 4), and more.

• The summer group show season is starting a little early this year.  At the Donald Young Gallery in Chicago is a selection of work from ten artists represented by the gallery including Rodney Graham, Josiah McElheny, Bruce Nauman, and Martin Puryear. Through August 15.

• As part of Le French May Arts Festival, an exhibition entitled A Passion for Creation at the Hong Kong Museum of Art cuils together a selection of large scale works from the Fondation Louis Vuitton pour la Creation. The show reflects on “an urban and energetic culture, leading to fictional landscapes, somewhere between dream and adventure.” Exhibiting artists include Jean-Michel Basquiat, Paul Chan, Cao-Fei, Pierre Huyghe (Season 4), Christian Marclay and others.

• Season 4 artist Judy Pfaff’s solo exhibition Constructed Paper is on view now at the Carl Solway Gallery in Cincinatti.

• An exhibition of selected photographs by Mike Kelley (Season 3) produced for Patrick Painter Editions is on view through July 11 at the Los Angeles space. The collection includes the series Timeless/Authorless, The Poetry of Form, and Photo Show Portrays the Familiar 1-26.

• The Big Sad, Barry McGee’s exhibition with Clare Rojas, just closed at the Riverside Art Museum.  But here is an interview from the exhibition with McGee (Season 1) on Current TV.

• At Triple Candie in Harlem is Selections from the Museo de Reproducciones Fotograficas. The quirky collection comprises 1,200 high-quality photographic reproductions cut from books on the visual arts, crafts, design, and architecture. Among other traits, the reproductions’ cataloguing records are incomplete and based exclusively on the objects’ original credit lines. The collection includes works by Laylah Ali (Season 3), Chris Ofili, Richard Prince, Mark Rothko, Richard Serra (Season 1), Lisa Yuskavage, and others. Through June 7.

• Jessica Stockholder’s solo exhibition Swiss Cheese Field is currently on view at Senior and Shopmaker. The show includes new monoprint constructions that coincide with both Flooded Chambers Maid, the Season 3 artist’s first major outdoor installation in the U.S. presented by Madison Square Park, and Sail Cloth Tears, a concurrent solo exhibition of new sculpture at Mitchell-Innes & Nash Gallery.

Open for Babble, ArtBabble is Live!

Art-Bab-ble [ahrt-bab-uhl]
noun; verb (used without object) -bled, -bling

1. free flowing conversation, about art, for anyone.
2. a place where everyone is invited to join an open, ongoing discussion – no art degree required.

At Art21, we have been burning the midnight oil working on Season 5 of Art:21—Art in the Twenty-First Century, but we are in good company with the Web/New Media departments at the Indianapolis Museum of Art. They are the creators of ArtBabble, which launched today! We mentioned the site a few weeks ago on the blog. And the New York Times seems to think it’s cool too.

So what is ArtBabble?

ArtBabble was conceived, initiated, designed, built, sculpted, programmed, shot, edited, painted and launched by a cross-departmental collection of individuals at the Indianapolis Museum of Art (IMA). It is intended to showcase video art content in high quality format from a variety of sources and perspectives.

ArtBabble was created so others will join in spreading the world of art through video.

Sounds good, right? We thought so too when Daniel Incandela and Rob Stein at the IMA invited us to be a contributing partner to this new project, we said, “YES!” We could not turn down this invitation to be part of a Web community that showcases videos about art and dedicates itself to open dialogue and accessibility.

The design of the site is fun and quirky and the interface allows us to add tabs with notes. Through ArtBabble, Art21 can provide you with behind-the-scenes commentary, fun facts, and additional information about artists and sources for their inspiration.

Art21 showed up with 19 of our own Exclusive videos, 13 of which are premiering on ArtBabble before they will be available on iTunes, YouTube, or the Art21 Blog. Watch the new videos on artists Arturo Herrera, Ellen Gallagher, Jessica Stockholder, Richard Tuttle, Laylah Ali, Ida Applebroog, Josiah McElheny, and Oliver Herring.

Also as part of this launch, we wanted to give you Art21 aficionados an extra secret sneak peek into Season 5 (coming in Fall 2009). You think you know which artists will be featured in the new season? See for yourself!