Columns & Features

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Staff Pick

Staff Picks: May 2016

Staff Pick

Staff Picks: May 2016

A selection of films and exhibitions, personally recommended by members of the ART21 staff.

Dave Kennedy. Studio view of A view to a passageway (working). Photo copies, green tube, wood block, & plastic mounted to Tyvek, 93 x 74 x 6 inches. Courtesy of the artist.

Inside the Artist's Studio

Remapping the City: An Interview with Dave Kennedy

Inside the Artist's Studio

Remapping the City: An Interview with Dave Kennedy

Seattle artist Dave Kennedy shares the motivations behind his photographic collages that investigate perceptions of urban spaces.

Image courtesy of the author on Instagram.

Teaching with Contemporary Art

Museums: A Critical Exploration

Teaching with Contemporary Art

Museums: A Critical Exploration

In this creativity exercise, ART21 Educator Shannah Burton engages students in institutional critique on a trip to the Saint Louis Art Museum.

Mind Map in progress. Photo courtesy of the author.

Teaching with Contemporary Art

Mind Maps

Teaching with Contemporary Art

Mind Maps

In this creativity exercise, ART21 Educator Shannah Burton engages students in creating artworks that build mental links between ideas.

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Teaching with Contemporary Art

ART21 Educator Spotlight: Shannah Burton

Teaching with Contemporary Art

ART21 Educator Spotlight: Shannah Burton

An interview with ART21 Educator Shannah Burton, on how the integration of ART21 materials in her classroom has expanded and informed her teaching practice.

Couch, 2012
Couch, cement, 32 1/2 × 88 1/2 × 33 1/2 in.Courtesy the artist and Maccarone, New York/Los Angeles. On view at the Studio Museum.

On View Now

Rodney McMillian’s Sobering, Irreverent Take on Race in America

On View Now

Rodney McMillian’s Sobering, Irreverent Take on Race in America

ART21 Magazine’s latest contributor reviews two concurrent exhibitions of work by Rodney McMillian on view in New York City.

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Letter from the Editor

Letter from the Editor, Jorge Daniel Veneciano

Letter from the Editor

Letter from the Editor, Jorge Daniel Veneciano

Guest editor and director of El Museo del Barrio introduces the theme of our new issue, “Illusion,” through his current exhibition “The Illusive Eye.”

digital wounds, TRISTAN Daniel Nicolas.

Art 2.1: Creating on the Social Web

Alter Ego: TRISTAN on Finding Himself Online

Art 2.1: Creating on the Social Web

Alter Ego: TRISTAN on Finding Himself Online

In a partnership with multimedia publishing platform NewHive, ART21 Magazine features digital artist TRISTAN, the winner of our #NewRenewal open call.

Students dictating and drawing Barbara Kruger's Untitled (Money can buy you love), 1985.

Teaching with Contemporary Art

Dictation Drawings

Teaching with Contemporary Art

Dictation Drawings

In this creativity exercise, ART21 Educator Don Ball engages students in connecting with artworks on a fundamental level.

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Staff Pick

Staff Picks: April 2016

Staff Pick

Staff Picks: April 2016

A selection of exhibitions on view in New York City, personally recommended by members of the ART21 staff.

Caitlin Berrigan. Helicopter Pad, Rachid Karami International Fair Park, from Unfinished State, 2015. Postcard from series; 14.8 x 10 cm. Courtesy of the artist. © Caitlin Berrigan.

New Kids on the Block

Caitlin Berrigan’s “Unfinished State”

New Kids on the Block

Caitlin Berrigan’s “Unfinished State”

Caitlin Berrigan’s “Unfinished State” investigates the landscape of Lebanon, where abandoned construction projects stand as the casualties of a post-conflict economy.

Postcard Parlor Games. An experiment facilitated by Don Ball and Mark Dion at ART21's Creative Chemistries symposium on art and education in February 2015.

Teaching with Contemporary Art

Writing Poems About Art: A Looking Activity

Teaching with Contemporary Art

Writing Poems About Art: A Looking Activity

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between words and images.

Ugo Rondinone, Everyone Gets Lighter, 2004. Courtesy of Gladstone Gallery.

The New Situationists

Everyone Gets Lighter: On John Giorno, Ugo Rondinone, and the Gift of Exchange

The New Situationists

Everyone Gets Lighter: On John Giorno, Ugo Rondinone, and the Gift of Exchange

This inaugural article of a new column titled “The New Situationists” investigates the romantic and collaborative relationship between poet John Giorno and artist Ugo Rondinone.

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Teaching with Contemporary Art

Systems & Instructions

Teaching with Contemporary Art

Systems & Instructions

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between following instructions and the instructions themselves.

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Writer-in-Residence

Bearing Witness

Writer-in-Residence

Bearing Witness

In this essay, ART21/CUE Writer-in-Residence Jessica Lynne describes the nuances in Kambui Olujimi’s exhibition, “Solastalgia.”

To connect / To flow / To breathe

Teaching with Contemporary Art

Visualizing Verbs

Teaching with Contemporary Art

Visualizing Verbs

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between actions and visuals.

Katharina Grosse. constructions à cru, 2005. Acrylic on wall, floor, soil, and canvas; 22 x 262½ x 32 ¾ feet. Installation view: Palais de Tokyo, Paris. Photo: Florian Kleinefenn. Courtesy the artist. © Katharina Grosse and VG Bild-Kunst Bonn.

Staff Pick

Staff Picks: March 2016

Staff Pick

Staff Picks: March 2016

A selection of films, exhibitions, and public artworks personally recommended by members of the ART21 staff.

ART21 Educator Don Ball. Courtesy of Don Ball.

Teaching with Contemporary Art

ART21 Educator Spotlight: Don Ball

Teaching with Contemporary Art

ART21 Educator Spotlight: Don Ball

An interview with ART21 Educator Don Ball, on how the integration of ART21 films in his classroom has expanded and transformed his teaching practice.

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Center Field: Art in the Middle

The Sensation of Un-thought Thoughts: An Interview with Simone Forti

Center Field: Art in the Middle

The Sensation of Un-thought Thoughts: An Interview with Simone Forti

Caroline Picard interviews experimental dancer, choreographer, and writer Simone Forti, who recently held a two-day workshop at Northwestern University entitled “Thinking with the Body.”

Shana Moulton. Swisspering, 2013. Still. Courtesy Kubaparis.com. © Shana Moulton.

Queer Berlin

Dark Art(s), Coven Berlin, and the Queer Erotic Occult

Queer Berlin

Dark Art(s), Coven Berlin, and the Queer Erotic Occult

Ali Fitzgerald investigates the emergence of mysticism and the occult in Berlin’s art scene, exploring the cyber-feminist collective Coven Berlin whose goal is to ‘conqueer’ the universe, and a new Berlin bookstore specializing in forbidden books.

Illustration courtesy of the author.

Letter from the Editor

Letter from the Editor, Willa Köerner

Letter from the Editor

Letter from the Editor, Willa Köerner

Guest editor Willa Köerner delves deep into the theme of our new issue, “Renewal,” highlighting upcoming articles and interviews centered around rebirth and revival.

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New Kids on the Block

Gina Siepel’s Listening Trips

New Kids on the Block

Gina Siepel’s Listening Trips

In July 2011, the artist Gina Siepel paddled down the Bronx River with four strangers. This series of excursions in the northernmost borough of New York City, along with four …

Nira Pereg, ISHMAEL, 2014-2015. Courtesy of Braverman Gallery and the artist.

Letter from the Editor

Letter from the Editor: Chen Tamir

Letter from the Editor

Letter from the Editor: Chen Tamir

“Aptitude for war is aptitude for movement,” said Napoleon, as quoted by Paul Virilio in his book, Speed and Politics.1 Virilio explains that “violence can be reduced to nothing but movement.”2 …

Laylah Ali. Untitled, 2004
Gouache on paper, 28 3/16 x 20 1/6 inches. Courtesy 303 Gallery, New York.

Teaching with Contemporary Art

Classroom Catalysts: Enabling Personal Revolutions Through Art

Teaching with Contemporary Art

Classroom Catalysts: Enabling Personal Revolutions Through Art

“What is art but a way of seeing?” —Thomas Berger Sometimes the most significant revolutions make no noise at all, happening completely within someone’s frame of mind. These individual transformations might …

Allora & Calzadilla
"Hope Hippo," 2005
Mud, whistle, daily newspaper, and live person, approximately 16 x 6 x 5 feet. Installation view: 51st Venice Biennale. 
Courtesy the artists.

Booked

Still Reading by the Fire

Booked

Still Reading by the Fire

Most of this past year’s proposed radical agendas contain nothing that’s actually revolutionary or visionary. Politicians, theocrats, and profiteers campaign on platforms of retroactive change: ideological preservation, religious orthodoxy. ‘A …

Detail of "Hands," Glenn Ligon, 1996. Production still from ART21 Exclusive film, Glenn Ligon: Layers of Meaning
© Art21, Inc. 2014

Letter from the Editor

Letter from the Editor: Unending Revolution

Letter from the Editor

Letter from the Editor: Unending Revolution

“All art is in revolution of tyranny.” —Atticus Our recent revolutionary movements feel… deflated. We tell ourselves “things aren’t that bad right?” and the fight we need to make change …

Production still from the ART21 "Art in the Twenty-First Century" Season 4 episode, "Protest," 2007. © ART21, Inc. 2007.

Flashback

Ten (More) Artists on Radicalism and Resistance

Flashback

Ten (More) Artists on Radicalism and Resistance

In last year’s November/December issue we investigated ideas of unrest and revolution, and the ways art can and has innovated in the name of change. The months that followed saw huge …

Alicia Eler. Smiley, 2015. Photo taken in Eler’s parents’ house in Skokie, IL.

Letter from the Editor

Letter from the Editor: Alicia Eler

Letter from the Editor

Letter from the Editor: Alicia Eler

When I was twelve years old, I remember seeing it: my first smiley face. It was gigantic and bright yellow, hanging on the exterior brick wall of a car dealership, …

"Areas for Action," an experiment facilitated by artist Oliver Herring and ART21 Educator Jethro Gillespie at "Creative Chemistries," Park Avenue Armory, New York, 2015.

Teaching with Contemporary Art

Generating Creative Chemistries

Teaching with Contemporary Art

Generating Creative Chemistries

An overview of the inaugural “Creative Chemistries”—an experimental platform bringing artists and educators together to explore innovative practices for art and education.

Swarovski Crystal, New Hampshire, 2015. Photograph: Jacquelyn Gleisner.

Letter from the Editor

Letter from the Editor, Jacquelyn Gleisner

Letter from the Editor

Letter from the Editor, Jacquelyn Gleisner

I want to tell you about the most sincere guy I’ve ever known. In 2004, when I was an art student at Boston University, I responded to a part-time job …

Ray Anthony Barrett, "Sly and the Family Ties" (2015), ink on paper, 8 1/2 x 11 inches. Image courtesy of the artist. Special commission for the FAMILY Issue of Art21 Magazine (May/June 2015).

Letter from the Editor

Letter from the Editor, Alicia Eler

Letter from the Editor

Letter from the Editor, Alicia Eler

One’s experience of family can be joyous, painful, bizarre, revelatory, and intimate. To describe it with any single word wouldn’t do it justice. Like a parade, it’s a cacophony of …

From the photo series Unmonumental, 2008–present: (top left) N. 14th Street; (top right) Couch Potato, Manhattan Ave.; (bottom right) Banker St., New Year’s Day; (bottom left) Friday, Greenpoint. All images 2015.

Copy That!

Beauty Is in the Streets

Copy That!

Beauty Is in the Streets

Walking the city streets offers the unexpected. I find interesting things, mostly garbage, some of it recently thrown away. My discoveries come in two parts: first, the reaction of surprise, …

Kameelah Janan Rasheed. No Instructions for Assembly I, 2013 (detail); digital chromogenic print; 16” x 24”. Courtesy of the artist. Photo © Kameelah Janan Rasheed.

New Kids on the Block

The Archives of Kameelah Rasheed

New Kids on the Block

The Archives of Kameelah Rasheed

The artist Kameelah Rasheed was twelve years old in 1998, when her family—mother, father, and four brothers—had lost their home. The value of land in northern California near East Palo …

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Letter from the Editor

Letter from the Editor, Clarinda Mac Low

Letter from the Editor

Letter from the Editor, Clarinda Mac Low

To be ruined is to be spoiled beyond repair. It is “downfall, complete destruction, overthrow.” Ruin is the Tower card in the tarot deck—upheaval and harsh displacement, lightning striking, an …

Still from The Great Flood. 2013. USA. Directed by Bill Morrison. Courtesy of Bill Morrison.

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence Brienne Walsh looks at the contemporary digital narratives of filmmaker Bill Morrison.

Vincent Como. Procession of Dust (Entropy, Ontology, and the Hubris of Mankind) 002, 2014. Frame, double-sided tape, dry pigment; 16 x 20 inches. Courtesy of the artist and MINUS SPACE, Brooklyn, NY, © Vincent Como.

New Kids on the Block

The Absurd Magic of Vincent Como

New Kids on the Block

The Absurd Magic of Vincent Como

Vincent Como would never describe his work as magical, yet his work is rife with mysticism.