Columns & Features

James Bridle Drone Shadow 002, 2012. Documentation of installation. Image courtesy James Bridle. © James Bridle.

Writer-in-Residence

Drones: An Interview with Ingrid Burrington

Writer-in-Residence

Drones: An Interview with Ingrid Burrington

Ben Valentine kicks off his ART21 writing residency by interviewing artist, designer, and writer Ingrid Burrington who investigates the Internet and surveillance technologies.

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Booked

The ART21/CUE Book Club Takes a Wild Ride

Booked

The ART21/CUE Book Club Takes a Wild Ride

The ART21/CUE Book Club meets again on June 26, 2014.

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Solar Boom: Looking at a Possible Energy Future

Solar Boom: Looking at a Possible Energy Future

What is the future of solar energy? The Center for Land Use Interpretations offers insight into six solar booming regions in the southwest.

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Art 2.1: Creating on the Social Web

From Mail Art to Tumblr: Making the Future ’Net Work, Part II

Art 2.1: Creating on the Social Web

From Mail Art to Tumblr: Making the Future ’Net Work, Part II

In part two of Willa Koerner’s article on digital art, she looks at new models for collecting, highlighting three platforms that “shake up the traditional notion of the arts patron.”

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Letter from the Editor

The Future Is Now

Letter from the Editor

The Future Is Now

Guest editor Rachel Craft introduces the summer issue, “Future.”

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Art 2.1: Creating on the Social Web

From Mail Art to Tumblr: Making the Future ’Net Work, Part I

Art 2.1: Creating on the Social Web

From Mail Art to Tumblr: Making the Future ’Net Work, Part I

Guest contributor Willa Köerner questions if a system where artists can earn money for networked art is at odds with the nature of the Internet itself.

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Writer-in-Residence

A Quiet Kind of Act

Writer-in-Residence

A Quiet Kind of Act

In her final piece for the “Value” issue, writer-in-residence Elizabeth Devlin profiles Boston-based community quilter Clara Wainwright.

Tom Sachs. "Hermés Value Meal," 1997. Cardboard, thermal adhesive; 15.35 x 7.87 x 7.87 inches.

Flashback

What is the value of art?

Flashback

What is the value of art?

In 2009, during the Great Recession, we asked, “What is the value of art?” Here’s how our writers responded.

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Alchemy of Inspiration

Accidental Activists: SuttonBeresCuller

Alchemy of Inspiration

Accidental Activists: SuttonBeresCuller

An artist collective is turning a derelict gas station in Seattle, WA into a living work of art.

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Manifesta 10: A Biennial in Question

Manifesta 10: A Biennial in Question

Russian writer Sergey Guskov reports on the controversies surrounding Manifesta 10, scheduled to open next month.

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Staff Pick

Jane Jin Kaisen’s “Reiterations of Dissent”

Staff Pick

Jane Jin Kaisen’s “Reiterations of Dissent”

Art21’s new development associate picks “a powerful reminder of the ways that the best art troubles and confronts seemingly given truths.”

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Value in the Zone

Value in the Zone

Brian Holmes and Rozalinda Borcila’s “Foreign Trade Zone: A People’s Consultancy,” on view now at threewalls, Chicago.

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Teaching with Contemporary Art

Reflecting on the National Art Education Association’s Annual Conference

Teaching with Contemporary Art

Reflecting on the National Art Education Association’s Annual Conference

Art21 Senior Education Advisor and columnist Joe Fusaro summarizes the 2014 NAEA conference.

Artist Kalup Linzy tours The Armory Show art fair at Pier 92/94 (Hell’s Kitchen, Manhattan, 03.04.11). Production still from the New York Close Up film Kalup Linzy Makes His Way Through the Art World. © Art21, Inc. 2012. Cinematography by Don Edler.

Flashback

Ten Artists on Value

Flashback

Ten Artists on Value

A roundup of Art21 videos featuring artists describing their own perceptions of the value of their work.

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Writer-in-Residence

Intangible Possessions

Writer-in-Residence

Intangible Possessions

Elizabeth Devlin on how “digital media redefines our perceptions of ownership.”

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Creative Intervention and the Dhaka Art Summit

Creative Intervention and the Dhaka Art Summit

The second Dhaka Art Summit in Bangladesh presented art works with “a strong sense of pluralism that welcomes universal aspects.”

Félix González-Torres (American, 1957–1996). "Untitled" (Portrait of Ross in L.A.), 1991. Candies individually wrapped in multicolored cellophane, endless supply. Overall dimensions vary with installation, ideal weight: 175 lb. The Art Institute of Chicago; promised gift of Donna and Howard Stone. Courtesy of Andrea Rosen Gallery, New York © The Félix González-Torres Foundation

Teaching with Contemporary Art

Getting Beyond Good and Bad

Teaching with Contemporary Art

Getting Beyond Good and Bad

Art21 Educator Jack Watson on teaching students to delay judgement, and the “balancing act” involved in evaluating art.

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Now Playing

Twenty-One Songs from Pinar Yolaçan

Now Playing

Twenty-One Songs from Pinar Yolaçan

In this eclectic playlist, artist Pinar Yolaçan mixes funk carioca, Turkish percussion, Afrobeat, early American R&B, and more.

Pat Falco. The Only Painting That Will Sell, 2013. Acrylic on found painting; 18x18 inches. Courtesy the artist.

Read Between the One-Liners

Read Between the One-Liners

Writer-in-residence Elizabeth Devlin profiles Boston-based artist Pat Falco who made his museum debut in the 2013 deCordova Biennial.

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Graem Whyte’s Carnal Optimism

Graem Whyte’s Carnal Optimism

Guest contributor John Corso digs into the deeply playful works of Detroit-based artist Graem Whyte.

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Copy That!

The Grift Economy

Copy That!

The Grift Economy

Columnist Joy Garnett offers a new spin on a common letter.

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Occupation: Artist

Occupation: Artist

Guest writer Jayna Swartzman-Brosky surveys the myriad ways that contemporary artists monetize their practice and negotiate the value of their labor.

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The Nature of Worth

The Nature of Worth

Writer-in-residence Elizabeth Devlin shares her plans for the “Value” issue.

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Money: worth more than the paper it’s written on

Money: worth more than the paper it’s written on

“Like economic value, an artwork’s meaning (its aesthetic value) is derived through a critical judgment that employs comparisons…”

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New Kids on the Block

BFAMFAPhD: An Imaginative School of Thought

New Kids on the Block

BFAMFAPhD: An Imaginative School of Thought

Caroline Woolard’s collaborative project, BFAMFAPhD.com, “endeavors to unite artists in order to address the problems of their rising population” in the U.S.

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Mapping San Francisco

Mapping San Francisco

With its Google bus wars, start-up fever, and rapid gentrification, San Francisco has become a touchstone in conversations about money. Where do art and creativity fit into the shaping of the city?

Screenshot of the Katonah Museum of Art "Eye to I" exhibition website, eyetoi.org.

Teaching with Contemporary Art

Redefining Portraiture

Teaching with Contemporary Art

Redefining Portraiture

Art21 Senior Education Advisor Joe Fusaro visits the “Eye to I” exhibition at the Katonah Museum of Art with his high school class.

A collection of books in artist Rashid Johnson’s studio (Williamsburg, Brooklyn, 03.25.11). Production still from New York Close Up. © Art21, Inc. 2011. Cinematography by Andrew David Watson

Booked

Announcing the Art21 Book Club

Booked

Announcing the Art21 Book Club

Art21 invites avid readers to participate in semi-intimate conversations about fiction and nonfiction books relevant to themes of the Art21 Magazine.

Xu Zhen by MadeIn Company, Under Heaven 3611MQ0137, detail, 2013. Oil on canvas, aluminum; 51 1/5 × 63 × 3 9/10 in (130 × 160 × 10 cm). Courtesy the artists and Ullens Center for Contemporary Art (UCCA).

Xu Zhen & Armory Focus: China

Xu Zhen & Armory Focus: China

“Armory Focus: China” curator Philip Tinari discusses his selections for this year’s edition at the The Armory Show, including the work of artist Xu Zhen.

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Becoming South Sudan

Becoming South Sudan

In her second slideshow, Art21 writer-in-residence Alinka Echeverría shares her photographs from South Sudan.

Cai Guo-Qiang, "Inopportune: Stage Two," detail, 2004. Tigers: paper mache, plaster, fiberglass, resin, painted hide; arrows: brass, bamboo, feathers; stage prop: styrofoam, wood, canvas, acrylic paint; dmensions variable. Installation view: MASS MoCA, North Adams, MA. Collection of the Artist. Courtesy Cai Guo-Qiang.

Reflections on Chinese Contemporary Art: Ai Weiwei, Cao Fei, and Cai Guo-Qiang

Reflections on Chinese Contemporary Art: Ai Weiwei, Cao Fei, and Cai Guo-Qiang

“Armory Focus: China” curator Philip Tinari discusses artists Ai Weiwei, Cao Fei, and Cai Guo-Qiang.

Florian Maier-Aichen takes photographs in Stralsund, Germany, 2008. Production still from the Art in the Twenty-First Century"Season 5 episode, Fantasy, 2009. © Art21, Inc. 2009.

Flashback

Florian Maier-Aichen: Built-in Mistakes

Flashback

Florian Maier-Aichen: Built-in Mistakes

In a new previously unpublished interview Florian Maier-Aichen discusses his beginnings as an artist, the evolution of his hybrid practice, and more.

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Alchemy of Inspiration

Translating a City Back to Itself

Alchemy of Inspiration

Translating a City Back to Itself

Columnist Jessica Lott travels to Barcelona and observes “Making Neighborhoods,” a multidisciplinary project with the city’s African immigrant population.

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Guillermo Gómez-Peña: Linguistic Resistance

Guillermo Gómez-Peña: Linguistic Resistance

“I think that misinterpretation and mistranslation are essential contemporary experiences…I feel that the artist doesn’t really give answers.”

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The Tenth Day of Mourning

The Tenth Day of Mourning

Alinka Echeverría presents never-before-seen photographs from her recent visit to South Africa.

Susan Silton, "In everything there is the trace," 2013. Installation view at the USC Fisher Museum of Art. Photo: Alexandra Brown.

Word is a Virus

Manual Transmissions

Word is a Virus

Manual Transmissions

“Word is a Virus” columnist Carol Cheh looks at two recent performance projects that involved retyping iconic works of literature on typewriters.