Issues

Bukola Koiki. I Claim That Which Was Never Mine, 2014; detail of installation. Courtesy of the artist. Photo: Samantha Estrella.

On Returning Home and Works in Progress: A Conversation with Bukola Koiki

On Returning Home and Works in Progress: A Conversation with Bukola Koiki

I first learned about Bukola Koiki’s art through Facebook. She posted an essay about her work in the group named “BCC: BrownHall Community,” a networking forum for Black artists in …

The Source Family, gathered for a portrait in front of the Father House. Courtesy of The Fox is Black (http://thefoxisblack.com/2013/05/30/polygamy-meets-god-in-l-a-a-film-review-of-the-source-family/).

Behind Voids and Dissonance: Experimental Music of Fluxus and the Source Family

Behind Voids and Dissonance: Experimental Music of Fluxus and the Source Family

“Purge the world of bourgeois sickness, ‘intellectual,’ professional and commercialized culture; Purge the world of dead art, imitation, artificial art, abstract art, illusionistic art—PURGE THE WORLD OF ‘EUROPANISM!’” [1]. Written with …

Kristy Baltezore. Thinking In Donuts , 2015.

Personal Digital Networks

Personal Digital Networks

Sara Schnadt and Kristy Baltezore met three years ago at the kitchen table of their mutual friend and fellow new-media artist Rob Ray, who is like a chosen family member. …

Ray Anthony Barrett, "Sly and the Family Ties" (2015), ink on paper, 8 1/2 x 11 inches. Image courtesy of the artist. Special commission for the FAMILY Issue of Art21 Magazine (May/June 2015).

Letter from the Editor, Alicia Eler

Letter from the Editor, Alicia Eler

One’s experience of family can be joyous, painful, bizarre, revelatory, and intimate. To describe it with any single word wouldn’t do it justice. Like a parade, it’s a cacophony of …

Shawné Michaelain Holloway, "a_personal_project, IV: password protected thaumatrope, security measures for a caged bird.mov" (2014)

Subverting Mass Media: The Collection of the Girls of the Internet Museum Accentuates Sincerity

Subverting Mass Media: The Collection of the Girls of the Internet Museum Accentuates Sincerity

Gaby Cepeda, an independent curator based in Lima, Peru, founded the Girls of the Internet Museum as a way to archive Internet works made by an international group of women. Controlled …

Lisa Ross, photograph from Drag photos (1991-1993).

Mom in the Mirror

Mom in the Mirror

In December 2013, I received a master’s degree in psychoanalysis at the Center for Modern Psychoanalytic Studies in New York, the same institute where my mother trained, starting in the …

From the photo series Unmonumental, 2008–present: (top left) N. 14th Street; (top right) Couch Potato, Manhattan Ave.; (bottom right) Banker St., New Year’s Day; (bottom left) Friday, Greenpoint. All images 2015.

Copy That!

Beauty Is in the Streets

Copy That!

Beauty Is in the Streets

Walking the city streets offers the unexpected. I find interesting things, mostly garbage, some of it recently thrown away. My discoveries come in two parts: first, the reaction of surprise, …

Figures 16-19: Old symbols with new signification.

The Zone

The Zone

The Zone is an ongoing research project that has different extensions; previously it has been shown as a multiscreen video and sound installation at the New Art Exchange and the …

Kameelah Janan Rasheed. No Instructions for Assembly I, 2013 (detail); digital chromogenic print; 16” x 24”. Courtesy of the artist. Photo © Kameelah Janan Rasheed.

New Kids on the Block

The Archives of Kameelah Rasheed

New Kids on the Block

The Archives of Kameelah Rasheed

The artist Kameelah Rasheed was twelve years old in 1998, when her family—mother, father, and four brothers—had lost their home. The value of land in northern California near East Palo …

Minerva Cuevas. Offshore, 2014. Oil on compressed wood covered in tar; 40 x 36 ½ inches. Photo by the author.

Audible Afterimages

Audible Afterimages

Collapse: Abandoned to the indifference of physical nature, any neglected artifact disintegrates. Places too are social artifacts, architectural masses sustained in space by forms of life. When customs falter or …

Imponderabilia; exhibition view, Marina Abramović: The Artist is Present, 2010; Museum of Modern Art, New York. Re-performed by Maria S.H.M. (left) and Abigail Levine (right); security guards not pictured. Photo: Scott Rudd.

Being Protected

Being Protected

During the spring of 2010, I spent several hours each day, usually unclothed, either standing, sitting, lying, or perching on a bicycle seat in the sixth-floor galleries of the Museum …

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Elite Properties

Elite Properties

There are ruins, and then there are ruiners. Urban areas in the western hemisphere no longer develop organically—or with regard to geographical features or agricultural or even industrial needs—but rather …

Jewel’s Catch nightclub, 2015. Photo: Lex Brown.

The Catch

The Catch

I am a transplant to Los Angeles, I’m a person of color, and I live in a rapidly gentrifying neighborhood. Witnessing and doing my best not to accelerate these changes, …

View of the East River from Franklin D. Roosevelt Four Freedoms Park. Photo: Erin Sweeny.

Rooms With A View

Rooms With A View

“Treat your body like it belongs to someone you love.” I spied this sentence in a health-food store recently. My thoughts wandered to catchphrases spouted in yoga classes, talking about …

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Letter from the Editor, Clarinda Mac Low

Letter from the Editor, Clarinda Mac Low

To be ruined is to be spoiled beyond repair. It is “downfall, complete destruction, overthrow.” Ruin is the Tower card in the tarot deck—upheaval and harsh displacement, lightning striking, an …

FEATURED IMAGE_02 Goldin Senneby Headless From the Public Record

Offshore Art: Artistic Strategies in a Ruined Democracy

Offshore Art: Artistic Strategies in a Ruined Democracy

The term post-democracy has recently emerged in political theory and sociology as part of an effort to grasp the contemporary social order. The term is used by theorists such as …

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Three Muddled Blueprints for Ruin

Three Muddled Blueprints for Ruin

Please read the document that follows as a makeshift “program”, “manifesto”, “list of demands”, “wish list”, or “totally impenetrable academic nonsense” in favor of the moderately counterintuitive project of trying …

Capilla del Rosario inside the Templo Conventual de Santo Domingo de Guzmán, Puebla, Mexico.

Alchemy in the Making

Alchemy in the Making

What questions arise when an artist encounters new materials?

Still from The Great Flood. 2013. USA. Directed by Bill Morrison. Courtesy of Bill Morrison.

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence

The Ghosts Unearthed in the Films of Bill Morrison

Writer-in-Residence Brienne Walsh looks at the contemporary digital narratives of filmmaker Bill Morrison.

Asher Hartman's "Purple Electric Play!" performed at Machine Project, Los Angeles, 2014. Courtesy of the artist. Photo by Marianne Williams.

Asher Hartman’s Ritualistic Marathons

Asher Hartman’s Ritualistic Marathons

For twenty years, the Los Angeles–based artist and performer Asher Hartman has created spaces that foster deeply psychic intuition and allow audiences to create as a group.

Vincent Como. Procession of Dust (Entropy, Ontology, and the Hubris of Mankind) 002, 2014. Frame, double-sided tape, dry pigment; 16 x 20 inches. Courtesy of the artist and MINUS SPACE, Brooklyn, NY, © Vincent Como.

New Kids on the Block

The Absurd Magic of Vincent Como

New Kids on the Block

The Absurd Magic of Vincent Como

Vincent Como would never describe his work as magical, yet his work is rife with mysticism.

El Anatsui. Dzesi II, 2006. Aluminum and copper wire; 117 x 195 inches. Collection of the Akron Art Museum, Akron, Ohio. Courtesy the artist and Jack Shainman Gallery, New York. © El Anatsui.

Teaching with Contemporary Art

Creative Chemistries

Teaching with Contemporary Art

Creative Chemistries

When artists and educators get together, extraordinary things can happen.

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Found Magic

Found Magic

A slideshow of found photographs on the theme of magic.

Lucia Love. Orifficial Cup, 2014. Magicsculpt, wire, acrylic;
6 x 2.5 x 2 inches. Courtesy the artist and CUE Art Foundation.

Three-dimensional Allegory: Lucia Love’s Reflecting Pool

Three-dimensional Allegory: Lucia Love’s Reflecting Pool

Lucia Love’s resistance to reality manifests in her solo exhibition at CUE Art Foundation.

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Writer-in-Residence

Ernst Fischer “18%”

Writer-in-Residence

Ernst Fischer “18%”

Brienne Walsh provides a preview of Ernst Fischer’s forthcoming exhibition at CUE Art Foundation.

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Word is a Virus

Casting Spells over Los Angeles

Word is a Virus

Casting Spells over Los Angeles

Gurus, healers, psychics, and witches are common in Los Angeles—and their worlds often intersect with the world of artists.

Ivan LOZANO. AFFIRMATION 7 (excerpt), 2014. Digital video loop; 5:00. Courtesy the artist.

Redefining Intention: Laurel Sparks and Ivan LOZANO

Redefining Intention: Laurel Sparks and Ivan LOZANO

Using the tools of magic, the artists Laurel Sparks and Ivan LOZANO take art’s potential for transformation to a new level.

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Now Playing

Twenty-one Songs from Paolo Salvagione

Now Playing

Twenty-one Songs from Paolo Salvagione

In the studio of Paolo Salvagione, instrumental melodies inspire installations that delight the senses.

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Inquiring Minds

How Can Small Gestures Provoke Big Change?

Inquiring Minds

How Can Small Gestures Provoke Big Change?

Little changes in art classrooms can have a big impact. Revolutions come in all sizes.

Occupy protesters close Oakland port Occupy Oakland protesters cheer Wednesday as they climb on tractor-trailers loaded with shipping containers at the Port of Oakland, Calif., effectively shutting down the nation's fifth-busiest port during a day of nonstop protesting. Photo: Kent Porter.

Booked

Reading by the Fire

Booked

Reading by the Fire

Bay Area artists, curators, and culture shifters recommend nine texts for the radical at heart.

Cy Twombly. Camino Real (II), 2010. Acrylic on wood panel; 99 3/8 x 72 7/8 inches. Courtesy Gagosian Gallery. © Cy Twombly Foundation

The Revolution Will Be Painted

The Revolution Will Be Painted

The revolution will be painted. You will not be able to not know. You may not just be present. You will not be able to plug in, turn on, and cop out. Because the revolution will be painted.

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Flashback

Catherine Opie: Shifting Observations

Flashback

Catherine Opie: Shifting Observations

In a newly published ART21 interview from 2011, Catherine Opie discusses concepts of utopia and dystopia, the idea of America as the great democracy, and more.

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Flashback

Mark Bradford on Prospect.1 New Orleans

Flashback

Mark Bradford on Prospect.1 New Orleans

On the occasion of ART21’s new film on Prospect.3 New Orleans, we look back to Mark Bradford’s keynote address at the 2009 National Art Education Association conference, in which the artist discussed his sculpture for Prospect.1.

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Teaching with Contemporary Art

Revamping Art Education for the Twenty-First Century

Teaching with Contemporary Art

Revamping Art Education for the Twenty-First Century

Do the new National Standards for Art Education support dynamic learning and twenty-first century artistic methods?

The Yams Collective. Post Speculation, 2014. Courtesy the artists.

The Yams Collective: Insurrection and Resistance

The Yams Collective: Insurrection and Resistance

A look back at The Wayblack Machine, a multi-channel video installation by the Yams Collective that takes the death of Michael Brown as its focus.

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1989—What We Lost

1989—What We Lost

The ART21 Magazine partners with the nonprofit organization Visual AIDS to honor the twenty-fifth anniversary of Day With(out) Art and World AIDS Day 2014.