Sept / Oct Issue
“Publics”
deville-harlem-still-00-32-01

Abigail DeVille’s Harlem Stories

Abigail DeVille’s Harlem Stories

In a new ART21 New York Close Up film, artist Abigail DeVille stalks the streets of Harlem with a trash-laden push cart, creating temporary sculptural interventions along the way.

SAIC_Temporary-Services_1-small

Planning Social Practice: An Interview with Mary Jane Jacob

Planning Social Practice: An Interview with Mary Jane Jacob

Mary Jane Jacob, director of the School of the Art Institute’s Sullivan Galleries, offers advice to artists who want to affect social change through their work.

Exterior of The Union for Contemporary Art in Omaha, Nebraska.

Pathways to Interdependence

Pathways to Interdependence

From Omaha to New York City, artists and arts advocates are starting businesses in areas vulnerable to gentrification while preserving neighborhood cultures.

7.-imgoogle4

Writer-in-Residence

Dina Kelberman’s I’m Google

Writer-in-Residence

Dina Kelberman’s I’m Google

ART21 + CUE writing fellow Stephanie Barber on the work of Baltimore-based artist Dina Kelberman.

ligon_hands

Flashback

Twelve Artists on Publics

Flashback

Twelve Artists on Publics

The “Publics” Issue kicks off with a roundup of videos from the ART21 archive.

Kent Twitchell. Lita Albuquerque Monument, 1984. Photo: © Robin Dunitz. Courtesy Mural Conservancy of Los Angeles.

Looking at Los Angeles

Freeway Flyers: The Olympic Murals

Looking at Los Angeles

Freeway Flyers: The Olympic Murals

In such a liminal arena as the freeway, what role can murals play?

Moyra-Davey_Red-Bag

Booked

Moyra Davey: Burn the Diaries

Booked

Moyra Davey: Burn the Diaries

Moyra Davey: Burn the Diaries, a book and exhibition, travel to the Institute of Contemporary Art in Philadelphia.