Tag Archives: Education

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Teaching with Contemporary Art

ART21 Educator Spotlight: Shannah Burton

Teaching with Contemporary Art

ART21 Educator Spotlight: Shannah Burton

An interview with ART21 Educator Shannah Burton, on how the integration of ART21 materials in her classroom has expanded and informed her teaching practice.

Postcard Parlor Games. An experiment facilitated by Don Ball and Mark Dion at ART21's Creative Chemistries symposium on art and education in February 2015.

Teaching with Contemporary Art

Writing Poems About Art: A Looking Activity

Teaching with Contemporary Art

Writing Poems About Art: A Looking Activity

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between words and images.

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Teaching with Contemporary Art

Systems & Instructions

Teaching with Contemporary Art

Systems & Instructions

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between following instructions and the instructions themselves.

To connect / To flow / To breathe

Teaching with Contemporary Art

Visualizing Verbs

Teaching with Contemporary Art

Visualizing Verbs

In this creativity exercise, ART21 Educator Don Ball engages students in creating their own connections between actions and visuals.

ART21 Educator Don Ball. Courtesy of Don Ball.

Teaching with Contemporary Art

ART21 Educator Spotlight: Don Ball

Teaching with Contemporary Art

ART21 Educator Spotlight: Don Ball

An interview with ART21 Educator Don Ball, on how the integration of ART21 films in his classroom has expanded and transformed his teaching practice.

LaToya Ruby Frazier and John Abodeely talking with attendees following their Exchange on Expanding Access and Equity.

Creative Chemistries Turns One with a New Website!

Creative Chemistries Turns One with a New Website!

One year ago, 175 artists, students, educators, and arts administrators gathered at the Park Avenue Armory here in Manhattan for the inaugural edition of Creative Chemistries, a forum and experimental …

Laylah Ali. Untitled, 2004
Gouache on paper, 28 3/16 x 20 1/6 inches. Courtesy 303 Gallery, New York.

Teaching with Contemporary Art

Classroom Catalysts: Enabling Personal Revolutions Through Art

Teaching with Contemporary Art

Classroom Catalysts: Enabling Personal Revolutions Through Art

“What is art but a way of seeing?” —Thomas Berger Sometimes the most significant revolutions make no noise at all, happening completely within someone’s frame of mind. These individual transformations might …

"Areas for Action," an experiment facilitated by artist Oliver Herring and ART21 Educator Jethro Gillespie at "Creative Chemistries," Park Avenue Armory, New York, 2015.

Teaching with Contemporary Art

Generating Creative Chemistries

Teaching with Contemporary Art

Generating Creative Chemistries

An overview of the inaugural “Creative Chemistries”—an experimental platform bringing artists and educators together to explore innovative practices for art and education.

El Anatsui. Dzesi II, 2006. Aluminum and copper wire; 117 x 195 inches. Collection of the Akron Art Museum, Akron, Ohio. Courtesy the artist and Jack Shainman Gallery, New York. © El Anatsui.

Teaching with Contemporary Art

Creative Chemistries

Teaching with Contemporary Art

Creative Chemistries

When artists and educators get together, extraordinary things can happen.

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Flashback

Mark Bradford on Prospect.1 New Orleans

Flashback

Mark Bradford on Prospect.1 New Orleans

On the occasion of ART21’s new film on Prospect.3 New Orleans, we look back to Mark Bradford’s keynote address at the 2009 National Art Education Association conference, in which the artist discussed his sculpture for Prospect.1.

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Teaching with Contemporary Art

Reflecting on the National Art Education Association’s Annual Conference

Teaching with Contemporary Art

Reflecting on the National Art Education Association’s Annual Conference

Art21 Senior Education Advisor and columnist Joe Fusaro summarizes the 2014 NAEA conference.

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Failing Productively: A Crash Course

Failing Productively: A Crash Course

How can we help students have a healthy understanding of failure?

Alyssa Greenberg and Rebecca Mir.

Year Five of Art21 Educators: Rebecca Mir and Alyssa Greenberg

Year Five of Art21 Educators: Rebecca Mir and Alyssa Greenberg

Since May, we’ve been introducing you to this year’s Art21 Educators. Today, meet our final two educators, Rebecca Mir and Alyssa Greenberg.

Students in Jack Watson's Studio Art class at Chapel Hill High School contemplate the post-it wall, where they have brainstormed information about areas of conflict for a unit on Borders and Boundaries.  They will later find collaborators using this same wall.

Teaching with Contemporary Art

Works Well With Others

Teaching with Contemporary Art

Works Well With Others

Guest blogger Jack Watson asks what would happen if art teachers stopped showing students “how to work and started modeling how to work with others?”

ArtEd July 24

Year Five of Art21 Educators: Thomas Dareneau and Domenic Frunzi

Year Five of Art21 Educators: Thomas Dareneau and Domenic Frunzi

Every other week, we’ve been learning about our newest Art21 Educators. Today, we introduce Thomas Dareneau and Domenic Frunzi.

Image: fastcompany.com

Teaching with Contemporary Art

Making the Circle Bigger

Teaching with Contemporary Art

Making the Circle Bigger

“After my last post I got to thinking about the kinds of networks teachers create in order to stimulate thinking and their own practice.”

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Year Five of Art21 Educators: Ryan Schmidt and Erin Shafkind

Year Five of Art21 Educators: Ryan Schmidt and Erin Shafkind

We’ve already introduced two pairs of this year’s Art21 Educators. Today, let’s say hello to a third: Ryan Schmidt and Erin Shafkind.

Julie Mehretu, "Stadia III", 2004. Image: wikipaintings.org

Teaching with Contemporary Art

An Expanding Network

Teaching with Contemporary Art

An Expanding Network

Perhaps one of the most exciting things about our network of Art21 Educators so far has to do with those teachers who are building momentum and reaching out to other cohorts in order to collaborate. Over time, I can see this network of teachers not only influencing each others practice but also contributing to new national arts standards, helping others to understand the importance of contemporary art in the curriculum, and continuing to facilitate workshops at national and statewide conferences in order to spread the love.

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Year Five of Art21 Educators: Renee Bareno and Sara Fromboluti

Year Five of Art21 Educators: Renee Bareno and Sara Fromboluti

Let’s get acquainted with Art21 Educators Renee Bareno and Sara Fromboluti.

Darique sharing his portfolio with classmates.

Teaching with Contemporary Art

You Say You Want Evolution: Looking Backward and Forward with Portfolios

Teaching with Contemporary Art

You Say You Want Evolution: Looking Backward and Forward with Portfolios

Similar to in-progress critiques, portfolio reflections and evaluations do not have to arrive at the end of things. Utilized during the course, it allows for both looking back and looking forward.

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Year Five of Art21 Educators: Becca Belleville and Eric Pugh

Year Five of Art21 Educators: Becca Belleville and Eric Pugh

This week, we are excited to present Art21 Educators Becca Belleville and Eric Pugh of Baltimore, Maryland.

Paul McCarthy, “White Snow, Bookends,” black walnut, 2013. Image: twi-ny/mdr

Teaching with Contemporary Art

Size Matters

Teaching with Contemporary Art

Size Matters

Teaching students about scale in a work of art is “a tricky thing for art educators.”

Year 5 Lynn and Carol

Teaching with Contemporary Art

Year Five of Art21 Educators: Lynn Grimes and Carol Barker

Teaching with Contemporary Art

Year Five of Art21 Educators: Lynn Grimes and Carol Barker

This week, we are pleased to spotlight the first of this year’s selected educators.

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Teaching with Contemporary Art

The Changing Shape of Teamwork

Teaching with Contemporary Art

The Changing Shape of Teamwork

Back in October, 2009 I wrote a post called Teamwork which focused on the fact that, as educators, we often have to work creatively with others in order to construct meaningful, age-appropriate and fun lessons. The best lessons and units of study are often the product of people working together, including educators, community members, parents, and of course students. When I look back just four years ago I realize that my experience with collaboration has changed and evolved into other forms.

Oliver Herring, "PATRICK," 2004, Courtesy Meulensteen, New York

Teaching with Contemporary Art

Five Years of Teaching with Contemporary Art

Teaching with Contemporary Art

Five Years of Teaching with Contemporary Art

When I go back to my first post, I had only a vague idea about how I was going to write on teaching with contemporary art.

Elizabeth Murray, "Worm's Eye," 2002. Courtesy The Pace Gallery, New York.

Teaching with Contemporary Art

Drawing with the Lights Out

Teaching with Contemporary Art

Drawing with the Lights Out

For the longest time I had assumed, wrongly, that students should view a series of images before trying to make sketches inspired by those images.

Aperture's new Spring 2013 cover. Photo (detail) by Christopher Williams. Image: Aperture.org

Teaching with Contemporary Art

Aperture Makes a Great Magazine Even Better

Teaching with Contemporary Art

Aperture Makes a Great Magazine Even Better

Aperture has re-envisioned what was already a high quality magazine and made some beautiful and exciting changes.

Vija Celmins, "Night Sky #10," 1994-1995
Oil on linen mounted on wood, 31 x 37 1/2 inches
Private collection
Photo by John Bigelow Taylor 
Courtesy McKee Gallery, New York

Teaching with Contemporary Art

Bringing Them Back Home

Teaching with Contemporary Art

Bringing Them Back Home

Who are some of your standout students from previous years? Where are they today?

Zarina, "Dividing Line", 2001. Image: hyperallergic.com

Teaching with Contemporary Art

Zarina’s Paper Like Skin

Teaching with Contemporary Art

Zarina’s Paper Like Skin

If you teach about and with paper, don’t miss “Zarina: Paper Like Skin,” on view through April 21 at the Guggenheim Museum in New York.

Nayland Blake, "Oh", 2013. Courtesy Matthew Marks Gallery.

Teaching with Contemporary Art

Well Beyond Everyday

Teaching with Contemporary Art

Well Beyond Everyday

If you are interested in how everyday materials can become bizarre and (sometimes) brilliant sculpture, there are three shows ready and waiting for you in Chelsea: Nayland Blake’s What Wont Wrong at Matthew Marks; B. Wurtz’s Recent Works at Metro Pictures; and Mark Dion’s two-floor delight titled Drawings, Prints, Multiples and Sculptures at Tanya Bonakdar.

William Kentridge creating video animation for "Breathe" (2008) in his studio, Johannesburg, South Africa, 2008. "William Kentridge: Anything Is Possible," production still, 2010. © Art21, Inc. 2010.

Teaching with Contemporary Art

Home and (or) Away

Teaching with Contemporary Art

Home and (or) Away

Teachers can take trips with their classes to local cultural institutions but sometimes it is beneficial to plan a trip to our own classroom.

Praxis Makes Perfect

Praxis Makes Perfect | Let the Kids Ride

Praxis Makes Perfect

Praxis Makes Perfect | Let the Kids Ride

Antonius Wiriadjaja draws connections between Chris Jordan’s clock tower installation in Queens, graduate school, and the Helsinki Bus Station Theory.

Liz Magic Laser, "The Digital Face": digital c-print. Image: lizmagiclaser.com

Teaching with Contemporary Art

ART21 New York Close Up

Teaching with New York Close Up | Liz Magic Laser and David Brooks

Teaching with Contemporary Art

ART21 New York Close Up

Teaching with New York Close Up | Liz Magic Laser and David Brooks

Two recent New York Close Up films featuring artists Liz Magic Laser and David Brooks exemplify how the film series “can make strong interdisciplinary connections.”

El Anatsui, "Sacred Moon", 2007. Image: 303magazine.com

Teaching with Contemporary Art

Teaching with El Anatsui

Teaching with Contemporary Art

Teaching with El Anatsui

El Anastui, one of my favorite artists from season 6, is in some ways an educator’s dream. His sculptures and installations reference history, culture and memory while simultaneously exploring the possibilities of found materials and different processes for making art. And while Anatsui is best known for his stunning, draped metal sculptures, there is more to the work with than meets the eye… and that’s quite a bit to begin with.

Penelope Umbrico, "Universal Remotes (eBay)," 2008. C-prints, dimensions variable.

No Preservatives: Conversations about Conservation

Preserving Digital Art: A Case Study

No Preservatives: Conversations about Conservation

Preserving Digital Art: A Case Study

What is involved in caring for time-based artworks? Columnist Richard McCoy convenes a group of experts to discuss.

Martin Puryear, "Ladder for Booker T. Washington," 1996, collection of the artist

Teaching with Contemporary Art

Art21 Educators: Success Stories

Teaching with Contemporary Art

Art21 Educators: Success Stories

Over the past four years there have been many success stories from a what-still-feels-like-new Art21 Educators program. And while the experiences within and beyond Art21 Educators vary wildly from teacher to teacher, some of the educators we have worked with- in a range of disciplines and not just art- have provided us with specific comments and reflective narratives that often make smiles touch the back of our heads.