Tag Archives: Indianapolis

After restoration, night view of the north west wall of Milton Glaser's mural, "Color Fuses," 1975. Image by Mark Williams, Imagenation, LLC. Property of the U.S. GSA.

No Preservatives: Conversations about Conservation

No Preservatives | Restored and Renewed: Milton Glaser’s 1975 Artwork, “Color Fuses”

No Preservatives: Conversations about Conservation

No Preservatives | Restored and Renewed: Milton Glaser’s 1975 Artwork, “Color Fuses”

Mitlon Glaser’s 1975 art installation in Indianapolis, “Color Fuses,” recently underwent a dramatic restoration and can now be seen as the artist originally intended.

No Preservatives: Conversations about Conservation

No Preservatives | The Science and Ethics of Contemporary Art Conservation: A Discussion with Tom Learner

No Preservatives: Conversations about Conservation

No Preservatives | The Science and Ethics of Contemporary Art Conservation: A Discussion with Tom Learner

Richard McCoy talks to Tom Learner, senior scientist at the Getty Conservation Institute, whose career has spanned a number of important institutions and projects.

No Preservatives: Conversations about Conservation

No Preservatives | The Top Ten U.S. Online Contemporary Conservation Projects from 2011

No Preservatives: Conversations about Conservation

No Preservatives | The Top Ten U.S. Online Contemporary Conservation Projects from 2011

IMA art conservator Richard McCoy lists his top ten U.S. contemporary conservation projects from 2011.

No Preservatives: Conversations about Conservation

No Preservatives | The State of Affairs in the Conservation of Contemporary Art

No Preservatives: Conversations about Conservation

No Preservatives | The State of Affairs in the Conservation of Contemporary Art

IMA Conservator Richard McCoy looks back at two international conferences that dealt with the conservation of contemporary art.

No Preservatives: Conversations about Conservation

No Preservatives | Following the Eames Legacy: A Discussion with Daniel Ostroff [Part II]

No Preservatives: Conversations about Conservation

No Preservatives | Following the Eames Legacy: A Discussion with Daniel Ostroff [Part II]

Richard McCoy and Tricia Gilson talk with Eames expert Daniel Ostroff about his ongoing work in studying, collecting, and exhibiting the designs of Charles and Ray Eames [Part II].

No Preservatives: Conversations about Conservation

No Preservatives | Following the Eames Legacy: A Discussion with Daniel Ostroff [Part I]

No Preservatives: Conversations about Conservation

No Preservatives | Following the Eames Legacy: A Discussion with Daniel Ostroff [Part I]

Richard McCoy and Tricia Gilson talk with Eames expert Daniel Ostroff about his ongoing work in study, collecting, and exhibiting the designs of Charles and Ray Eames [Part I].

No Preservatives: Conversations about Conservation

No Preservatives | “Chaos 1” Returns to Life

No Preservatives: Conversations about Conservation

No Preservatives | “Chaos 1” Returns to Life

IMA art conservator Richard McCoy talks about the return of Jean Tinguely’s 1974 masterpiece “Chaos 1” in Columbus, Indiana.

No Preservatives: Conversations about Conservation

Exploring the Freedom to Re-Present Value: A Discussion with Theaster Gates

No Preservatives: Conversations about Conservation

Exploring the Freedom to Re-Present Value: A Discussion with Theaster Gates

IMA art conservator Richard McCoy talks with artist Theaster Gates about Thornton Dial in relations to Gate’s art practice in

No Preservatives: Conversations about Conservation

No Preservatives | Looking at LARGE SCALE; A Conversation with Jonathan Lippincott

No Preservatives: Conversations about Conservation

No Preservatives | Looking at LARGE SCALE; A Conversation with Jonathan Lippincott

IMA art conservator Richard McCoy talks with Jonathan Lippincott about his new book, “LARGE SCALE: Fabricating Sculpture in the 1960s and 1970s.”

Flash Points

Speaking of Influence: A Monument’s Invisible Man

Flash Points

Speaking of Influence: A Monument’s Invisible Man

“To make the monuments speak again we must question the often bland surface they show the world.” –Kirk Savage, Standing Soldiers, Kneeling Slaves “Do I speak for everyone? No. No …

Lisa Freiman

Lisa Freiman

“When I first came here, people said, ‘Why are you going to Indianapolis?’ I said, ‘I’m going to Indianapolis because it’s a huge opportunity.’ They answered, ‘What huge opportunity? There’s …

No Preservatives: Conversations about Conservation

No Preservatives: Getting to Know Thornton Dial

No Preservatives: Conversations about Conservation

No Preservatives: Getting to Know Thornton Dial

IMA conservator Richard McCoy talks about his experience working on Hard Truths: The Art of Thornton Dial.

No Preservatives: Conversations about Conservation

No Preservatives | Richard McCoy’s Top 10 iPhone Images

No Preservatives: Conversations about Conservation

No Preservatives | Richard McCoy’s Top 10 iPhone Images

In 2010 I took more than 3,300 pictures and videos with my iPhone. No matter where I am, I have the thing with me; it’s terribly useful, occasionally entertaining, and …

No Preservatives: Conversations about Conservation

Considering Gravity’s Loom: A Discussion with Ball-Nogues

No Preservatives: Conversations about Conservation

Considering Gravity’s Loom: A Discussion with Ball-Nogues

IMA art conservator Richard McCoy talks with the Benjamin Ball and Gaston Nogues (Ball-Nogues Studio) about their recent installation, Gravity’s Loom, at the Indianapolis Museum of Art.

Weekly Roundup

Weekly Roundup

In this week’s roundup, Alfredo Jaar and Andrea Zittell go natural, Bruce Nauman tries to get off the ground, Cai Guo-Qiang answers questions about the impact of social visibility in …

No Preservatives: Conversations about Conservation

Looking Back Through 100 Acres

No Preservatives: Conversations about Conservation

Looking Back Through 100 Acres

IMA art conservator Richard McCoy looks back at the documentation around the projects in 100 Acres: The Virginia B. Fairbanks Art and Nature Park before it opens this weekend.

Weekly Roundup

Weekly Roundup

In this week’s roundup you’ll find two island exhibitions, some curiosities of Monaco, a photographer who pushes buttons, and a group of artists who keep it real: Indianapolis Island, a floating …

No Preservatives: Conversations about Conservation

Caring for What’s Living: a Discussion with Norah Fletchall

No Preservatives: Conversations about Conservation

Caring for What’s Living: a Discussion with Norah Fletchall

Indianapolis Museum of Art conservator Richard McCoy talks with Indianapolis Zoo conservator Norah Fletchall about ways in which their professional lives intersect.

Weekly Roundup

Weekly Roundup

In today’s roundup you’ll read about 800 prints in Los Angeles, 100 acres of art in Indianapolis, 12 Polaroids near the Hudson, a 10-year survey in Ohio, two portrait busts …

No Preservatives: Conversations about Conservation

Prelude: A Discussion with Tara Donovan

No Preservatives: Conversations about Conservation

Prelude: A Discussion with Tara Donovan

IMA Conservator Richard McCoy and SFMoMA Conservator Jill Sterrett talk to Tara Donovan about her new exhibition at the Indianapolis Museum of Art.

Flash Points

Deaccessioning Without Putting Your Mission up for Sale

Flash Points

Deaccessioning Without Putting Your Mission up for Sale

Museums have been disposing of objects since they began acquiring them.  The first documented “deaccessioning” may have involved some of the decayed remains of a Dodo bird, destroyed at the …

No Preservatives: Conversations about Conservation

Cultural Landscapes, Aesthetics, and Tigers: A Conversation with Mitchell Hearns Bishop

No Preservatives: Conversations about Conservation

Cultural Landscapes, Aesthetics, and Tigers: A Conversation with Mitchell Hearns Bishop

IMA art conservator Richard McCoy speaks with L.A. Arboretum curator Mitchell Hearns Bishop about cultural landscapes within the context of aesthetics and even tigers.

Jeff Koons, "Girl with Dolphin and Monkey (The Whitney Museum of American Art 75th Anniversary Photography Portfolio), 2006. Courtesy Whitney Museum

Flash Points

The Puppy Wars

Flash Points

The Puppy Wars

The eerily small, closely watched world of New York art criticism experienced some infighting earlier this month, following the publication of February’s The Brooklyn Rail. “I think that there are …

Andrea Zittel's Island at 100 Acres

Flash Points

The Island in 100 Acres: An Interview with Andrea Zittel

Flash Points

The Island in 100 Acres: An Interview with Andrea Zittel

Andrea Zittel talks with IMA Conservator Richard McCoy about her island project in 100 Acres: The Virginia B. Fairbanks Art and Nature Park.

No Preservatives: Conversations about Conservation

Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill

No Preservatives: Conversations about Conservation

Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill

IMA conservator Richard McCoy talks with former IMA curator and current MIT PhD student Rebecca Uchill about the creation of the IMA’s Variable Art Team and the evolving roles of those that care for contemporary art.

No Preservatives: Conversations about Conservation

International Design Conservation: A Discussion with Tim Bechthold

No Preservatives: Conversations about Conservation

International Design Conservation: A Discussion with Tim Bechthold

IMA art conservator Richard McCoy talks with Die Neue Sammlung conservator Tim Bechthold about conserving design arts.

No Preservatives: Conversations about Conservation

Concepts Around Interviewing Artists: a Discussion with Glenn Wharton

No Preservatives: Conversations about Conservation

Concepts Around Interviewing Artists: a Discussion with Glenn Wharton

IMA conservator Richard McCoy discusses the methodology and the process of interviewing artists with MoMA conservator Glenn Wharton.

No Preservatives: Conversations about Conservation

Examining the Lives of Jenny Holzer’s Works/Words: A Discussion with SAAM Conservator Hugh Shockey

No Preservatives: Conversations about Conservation

Examining the Lives of Jenny Holzer’s Works/Words: A Discussion with SAAM Conservator Hugh Shockey

Art conservator Richard McCoy discusses the IMA’s 1983 Jenny Holzer sculpture, “Untitled,” and interviews SAAM conservator Hugh Shockey about “For SAAM.”