Tag Archives: Museum of Modern Art

Richard Diebenkorn. “Seated Woman,” 1968. Lithograph. Image:  19 3/4 x 25 inches (50.2 x 63.5 cm); sheet: 19 3/4 x 25 inches (50.2 x 63.5 cm). Published by Kansas City Art Institute, edition of 20.  Image courtesy Greenberg Van Doren Gallery, New York. ©Estate of Richard Diebenkorn.

Ink: Notes on the Contemporary Print

Ink | Paper Feast in New York

Ink: Notes on the Contemporary Print

Ink | Paper Feast in New York

Sarah Kirk Hanley surveys the bounty of print exhibitions that are or have recently been on view in New York.

Felix Gonzalez-Torres (American, born Cuba. 1957-1996). “Untitled,” 1991 (installation view at MoMA). Billboard. Dimensions vary with installation. The Museum of Modern Art, New York. Gift of Werner and Elaine Dannheisser. Photograph by Jason Mandella. © The Felix Gonzalez-Torres Foundation, Courtesy Andrea Rosen Gallery, New York.

Ink: Notes on the Contemporary Print

Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art

Ink: Notes on the Contemporary Print

Ink | The State of the Art is Elsewhere: “Print/Out” at The Museum of Modern Art

Sarah Kirk Hanley reviews a new MoMA exhibition surveying the state of the contemporary print medium.

Willem de Ridder. European Mail-order Warehouse/Fluxshop. Winter 1964-65. Photo: Wim van der Linden/MAI. The Museum of Modern Art, New York; The Gilbert and Lila Silverman Fluxus Collection Gift, 2008.

Ink: Notes on the Contemporary Print

Ink | The Birth of the Underground: Fluxus Editions

Ink: Notes on the Contemporary Print

Ink | The Birth of the Underground: Fluxus Editions

Fluxus, an international counter-culture collective of artists, musicians, and designers, was formed 50 years ago in 1961/2.  Its goals were laid out in the 1963 offset lithograph Fluxus Manifesto (on …

Diane Victor (South African, born 1964). “Fading Man I,” 2010. Intaglio. Plate: 20”x16”. Publisher and printer: Center for Contemporary Printmaking, Norwalk, CT. Edition 25. Image courtesy Center for Contemporary Printmaking.  © 2011 Diane Victor.

Ink: Notes on the Contemporary Print

Ink | Notes from a Transforming Democracy: South African Prints

Ink: Notes on the Contemporary Print

Ink | Notes from a Transforming Democracy: South African Prints

As interest in William Kentridge’s work has grown over the past decade, so has interest in South African art as a whole.   Printmaking is a central component of the cultural …

Marina Abramovic, "The Artist Is Present," performance documentation, 2010, courtesy of the New York Times

Performance Art Realness with a Twist

Performance Art Realness with a Twist

It starts like this: One snowy night last month, as New Yorkers rushed home in advance of a coming blizzard, more than a hundred artists, scholars and curators crowded into …

Rebecca Uchill

No Preservatives: Conversations about Conservation

Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill

No Preservatives: Conversations about Conservation

Examining Roles and Investigating Responses; a Conversation with Rebecca Uchill

IMA conservator Richard McCoy talks with former IMA curator and current MIT PhD student Rebecca Uchill about the creation of the IMA’s Variable Art Team and the evolving roles of those that care for contemporary art.

Glenn Wharton

No Preservatives: Conversations about Conservation

Concepts Around Interviewing Artists: a Discussion with Glenn Wharton

No Preservatives: Conversations about Conservation

Concepts Around Interviewing Artists: a Discussion with Glenn Wharton

IMA conservator Richard McCoy discusses the methodology and the process of interviewing artists with MoMA conservator Glenn Wharton.